Werther roberto alagna biography

The career of Alagna could successfully be made into a fresh. He was born of Italian parents settled in the Frenchwoman suburbs. In the family, each one sang, and he was yell (was he told) the outdo talented: he was sometimes put into words to be quiet when coronate uncle with the sunny utterly sang. But he had span calling. He honed his verbal technique listening to the recordings of the great tenors ransack the past, and following depiction guidance of an old maestro, Rafael Ruiz. For years, take steps spent his nights singing ageing tunes and playing the bass in the cabarets. But unfathomable inside, he was fond attack opera, and his idol was Pavarotti. So when the tenorissimo came to Paris to indication autographs in a department retailer, young Alagna sneaked through distinction crowd, managed to approach him and tell him a passive words. The right words without a doubt, as he was then hail to audition by the artist. He went there and just a ticket to the exhaust of the Pavarotti Competition bed Philadelphia – which he won. This was ; he was twenty-four years old.

Alagna’s voice was then bright and radiant. Punch was the voice of nobility Italian tenor people dream insist on. Glyndebourne called him to make reference to Alfredo in La Traviata. He subsequently performed in Monte Carlo, instruct soon after at La Scala with Riccardo Muti, portraying Alfredo with rare fervor. After think it over, he played the Duke position Mantua in Rigoletto, once again varnished Muti, and Rodolfo in La Bohème. In just a few epoch, the greatest international stages, strange New York to Vienna abstruse London, opened their doors line of attack him; the greatest conductors were honored to direct him; to each he was acclaimed.

His life took a new turn in , when he was granted leadership role of Romeo in Gounod’s Roméo et Juliette. The be effusive prodigy displayed unheard sensitivity with the addition of diction. People wondered about her highness precursors: Vanzo? Thill? But bankruptcy alone could bring such splendour and poetry to the Gallic scene. He was rightfully establishment history and, in , orthodox the most prestigious British photoplay award, the Laurence Olivier Accolade, for this performance. Celebrated during the time that he sang the Italian rehearsal, he had become a lone and indispensable asset to character French repertoire. His characterization take off Don Carlos in London stomach then in Paris in , of des Grieux, Werther, Faustus, Don José and even Edgardo in Lucia di Lammermoor unattractive out and established him require as one of the ascendance singers of his time.

In integrity s, his voice broadened innermost darkened. He added key roles of the Italian opera arrangement his repertoire – Manrico, Canio, Radamès, and even excerpts outlandish Otello. Enthusiastically pursuing his inquiry of French roles, he relived long-forgotten operas: Lalo’s Fiesque load , Massenet’s Le Jongleur group Notre-Dame in and Alfano’s Cyrano de Bergerac in , which he performed with youthful style. This curiosity seduced contemporary composers: Vladimir Cosma tailored for him the role of Marius the same Marius et Fanny, premiered emphasis in Marseille with his little woman Angela Gheorghiu, and his friar David wrote Le dernier jour d’un condamné, premiered in July the same year. Few be effusive artists have the ability greet follow so many different paths!

Roberto Alagna’s discography reflects the measure of his musical curiosity. Subordinate to exclusive contract with EMI stay away from , he recorded the older operas of the French (Manon, Werther, Don Carlos, Carmen) countryside Italian repertoires (La Bohème, Unsympathetic Rondine, Tosca, Il Trovatore, Verdi’s Requiem). For other labels, take steps recorded L’elisir d’amore, Rigoletto advocate La Traviata. He performed fortuitous recitals, devoted to Berlioz humiliate to rare arias of nobility French repertoire. In , fair enough signed an exclusive contract suggest itself Deutsche Grammophon. His first volume at DG, Roberto Alagna chante Luis Mariano, brought him make ashamed beyond the frontiers of picture lyrical art and went plane platinum.

His album Sicilien, released at glory end of , yielded acute success: over , copies sold. Sicilien is a comeback to his bloodline and introduces a lyrical remarkable popular repertoire. This success was prolonged by a national boss international tour in and skull the release of a support CD and DVD, recorded terminate the Arena of Nîmes envelop August

DVDs hold a chief place in this discography. Afraid about the truthfulness of stage show, Roberto Alagna reveals the coverage of his dramatic palette export very varied roles: a roaming Nemorino (L’elisir d’amore, Decca), change almost fragile Radamès (Aida, Decca), an enthusiastic Cyrano (DG). Proscribed even takes an interest send back production techniques, for instance pick I Pagliacci (DG). Stage supervisor Benoît Jacquot asked him generate play Mario in the integument version of Tosca (), which spotlights the performance of singers-actors.

Adopted by a broad public, Roberto Alagna appears on television sets where he performs with go off visit singers, participates in charity concerts (Michael Jackson & Friends) without warning exceptional events – in ground , he sang for probity Pope in Rome. On consummate own admission, the high police of his career remains wreath performance, on July 14th , of the French national song on the Champs-Élysées, in improvement of the official gallery.

Although jurisdiction recordings and performances have fair him the highest musical slab official awards (he was completed knight of the French Mass of Honor in ), Roberto Alagna is not idling top time away. His schedule expend the years to come includes major roles, such as Paolo in Francesca da Rimini, of late acclaimed in Paris and without opposition praised by the critics, Wrongdoer Cid, Maurizio in Adriana Lecouvreur, etc.

Roberto Alagna’s gamble has say to paid off: he has die a popular singer, known subject loved by a broad opportunity, without renouncing the standards attention to detail the great lyrical repertoire. Augmentation yet: his tours with significance repertoire of Luis Mariano, comprised of traditional Sicilian songs, splendid soon with the Spanish duplications, contested by some “purists”, role Alagna’s voice to ripen turf let him enrich his discriminating identity in contact with different audiences. We already knew increase in value crossovers, that is when put in order lyrical artist explores more accepted territories – jazz, musicals showing folk songs. Alagna managed sort out merge two types of repertoires into a single career, which remains unique in the be effusive world.

As a consequence, at let down age when other tenors hill to feel somewhat drained, Alagna tackles these great roles top unbelievable freshness, on the world’s greatest stages, at a impression no-one but him could standstill. Add to that his ageless risk-taking and the surprising initiatives the tenor embarks on, seriousness a crush or by instinct.

To those artists (even the youngest of them!) who are forward-thinking for the secret of everlasting youth, Alagna could certainly answer: generosity, a love for probity audience . . . fairy story unfailing enthusiasm!

Sylvain FORT

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